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Carlo Crivelli
Carlo Crivelli (Father: Jacopo Crivelli, a painter; Brother: Vittorio Crivelli, also a painter) (c. 1430–1495) was a Venetian painter of the Quattrocento whose work is among the most unique and recognizable of the Italian Renaissance.

Filippino Lippi
Filippino Lippi (Father: Fra Filippo Lippi [Painter]; Mother: Lucrezia Buti [Nun]) Filippino Lippi (c. 1457–1504) was a celebrated painter of the Italian Renaissance, known for a style that evolved from the delicate lyricism of his

Gentile da Fabriano
Gentile di Niccolò di Giovanni di Massio (Father: Niccolò di Giovanni Massi, a merchant; Mother died before 1380) Francesco Queirolo (1704–1762) was a masterful Italian sculptor of the 18th century, renowned for his technical virtuosity

Ambrogio Lorenzetti
Ambrogio Lorenzetti (c. 1290–1348) was an exceptionally original Italian painter of the Sienese school, active from approximately 1317 to 1348. Along with his elder brother, Pietro Lorenzetti, he played a pivotal role in moving Sienese

Fra Angelico
Guido di Pietro (Religious Name: Fra Giovanni da Fiesole; Beatified as: Beato Angelico) Fra Angelico (c. 1395–1455) was an Early Renaissance painter and Dominican friar, celebrated for his ability to combine the decorative beauty of


Paolo Uccello
Paolo Uccello (/uːˈtʃɛloʊ/ oo-CHEL-oh, Italian: [ˈpaːolo utˈtʃɛllo]; 1397 – 10 December 1475), born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote

Piero della Francesca
Piero della Francesca (/ˌpjɛəroʊ ˌdɛlə frænˈtʃɛskə/,[2] also US: /- frɑːnˈ-/,[3][4] Italian: [ˈpjɛːro della franˈtʃeska] (listen); c. 1415[1] – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer.[5] Nowadays Piero della Francesca is chiefly appreciated for his

Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi (Father: Mariano di Vanni Filipepi, a tanner; Mother: Smeralda; Never married and lived most of his life in the family home) was one of the most prolific and celebrated


Carlo Crivelli
Carlo Crivelli (Father: Jacopo Crivelli, a painter; Brother: Vittorio Crivelli, also a painter) (c. 1430–1495) was a Venetian painter of the Quattrocento whose work is among the most unique and recognizable of the Italian Renaissance.

Filippino Lippi
Filippino Lippi (Father: Fra Filippo Lippi [Painter]; Mother: Lucrezia Buti [Nun]) Filippino Lippi (c. 1457–1504) was a celebrated painter of the Italian Renaissance, known for a style that evolved from the delicate lyricism of his

Gentile da Fabriano
Gentile di Niccolò di Giovanni di Massio (Father: Niccolò di Giovanni Massi, a merchant; Mother died before 1380) Francesco Queirolo (1704–1762) was a masterful Italian sculptor of the 18th century, renowned for his technical virtuosity

Ambrogio Lorenzetti
Ambrogio Lorenzetti (c. 1290–1348) was an exceptionally original Italian painter of the Sienese school, active from approximately 1317 to 1348. Along with his elder brother, Pietro Lorenzetti, he played a pivotal role in moving Sienese

Fra Angelico
Guido di Pietro (Religious Name: Fra Giovanni da Fiesole; Beatified as: Beato Angelico) Fra Angelico (c. 1395–1455) was an Early Renaissance painter and Dominican friar, celebrated for his ability to combine the decorative beauty of


Paolo Uccello
Paolo Uccello (/uːˈtʃɛloʊ/ oo-CHEL-oh, Italian: [ˈpaːolo utˈtʃɛllo]; 1397 – 10 December 1475), born Paolo di Dono, was a Florentine painter and mathematician who was notable for his pioneering work on visual perspective in art. In his book Lives of the Most Excellent Painters, Sculptors, and Architects, Giorgio Vasari wrote

Piero della Francesca
Piero della Francesca (/ˌpjɛəroʊ ˌdɛlə frænˈtʃɛskə/,[2] also US: /- frɑːnˈ-/,[3][4] Italian: [ˈpjɛːro della franˈtʃeska] (listen); c. 1415[1] – 12 October 1492), originally named Piero di Benedetto, was an Italian painter of the Early Renaissance. To contemporaries he was also known as a mathematician and geometer.[5] Nowadays Piero della Francesca is chiefly appreciated for his

Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi (Father: Mariano di Vanni Filipepi, a tanner; Mother: Smeralda; Never married and lived most of his life in the family home) was one of the most prolific and celebrated








