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Joseph Mallord William Turner
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839. The painting depicts the 98-gun HMS Temeraire, one of the last second-rate ships of the line to have played a role in the Battle of Trafalgar, being towed up the Thames by a paddle-wheel steam tug in 1838, towards its final berth in Rotherhithe to be broken up for scrap. The painting hangs in the National Gallery, London, having been bequeathed to the nation by the artist in 1851. In a poll organised by BBC Radio 4’s Today programme in 2005, it was voted the nation’s favourite painting. In 2020 it was included on the new £20 note.

Name : William Turner

Born : 1775

Died : 1851

Art Style & Movement : Romanticism

Main Field/s :

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William Turner

Joseph Mallord William Turner (Father: William Turner, a barber and wig-maker; Mother: Mary Marshall; He never married, though he had a long-term domestic partnership with Sophia Booth later in life) , known widely as J.M.W. Turner and affectionately as the “Painter of Light,” was a towering figure of British Romanticism. He transformed landscape painting from a marginalized, documentary genre into an expressive, emotionally charged art form that anticipated Impressionism and modern abstract art.

Born in Covent Garden, London, Turner showed prodigious artistic talent from a young age. His father, a barber, proudly displayed his early drawings in his shop window. By the age of fourteen, Turner was accepted as a student at the Royal Academy of Arts, and he exhibited his first watercolor there at just fifteen. Early in his career, he traveled extensively across Britain and Europe, filling dozens of sketchbooks with meticulous topographical studies before moving on to explosive, atmospheric compositions of mountains, seas, and historical events.

Unlike many of his peers, Turner achieved financial success and critical acclaim early in life, becoming a full Royal Academician at age twenty-seven and later serving as the Academy’s Professor of Perspective. He was fiercely independent, even opening his own private gallery in London to retain control over how his works were displayed and sold.

In his later years, Turner’s style evolved dramatically. His brushwork became looser, his application of paint thicker, and his focus shifted entirely toward capturing light, atmosphere, and raw elemental power—depicting steam, fog, fire, and roaring seas through swirling vortices of color. Though these experimental late works baffled contemporary critics who thought his vision was failing, they are now recognized as masterworks. Upon his death, Turner left behind the monumental “Turner Bequest”—thousands of paintings, sketches, and watercolors gifted to the British nation.

Active in others filds :
Printmaking (Mastery of line engraving and mezzotint, notably the Liber Studiorum), Architecture & Gallery Curatorship (Designed and operated his own private exhibition gallery), Art Education (Professor of Perspective at the Royal Academy).

Notable Collaborations :
Throughout his career, Turner collaborated with and influenced numerous engravers to translate his watercolors into mass-market print series, most notably printmaker Charles Turner (no relation) and engraver Robert Wallis. He also maintained deep professional relationships and intellectual exchanges within the Royal Academy alongside prominent figures like architect Sir John Soane and art critic John Ruskin, the latter of whom became his most passionate champion and biographer.

J.M.W. Turner Legacy :
J.M.W. Turner is celebrated as “the father of modern art”. His radical dissolution of form and line in favor of pure light and color profoundly influenced the Impressionists—particularly Claude Monet, who studied Turner’s techniques in London. His legacy is immortalized by Britain’s premier contemporary art award, the Turner Prize, and the vast permanent collection housed in the Clore Gallery at Tate Britain.

Selected Notable Works :
Fishermen at Sea (1796), Calais Pier (1803), The Shipwreck (1805), Dido building Carthage (1815), Ulysses deriding Polyphemus (1829), The Fighting Temeraire (1839), Snow Storm – Steam-Boat off a Harbour’s Mouth (1842), Peace – Burial at Sea (1842), Rain, Steam and Speed – The Great Western Railway (1844), Norham Castle, Sunrise (c. 1845)

Awards and Honors :
Elected Associate of the Royal Academy (ARA, 1799), Elected full Royal Academician (RA, 1802), Appointed Professor of Perspective at the Royal Academy (1807), Posthumously honored on the Bank of England £20 banknote.

Exhibitions & Art Venues :
Tate Britain (Clore Gallery), National Gallery (London), Louvre Museum (Paris), Metropolitan Museum of Art (New York), Yale Center for British Art (Connecticut), Museum of Art Pudong (Shanghai), The Getty Museum (Los Angeles), Ashmolean Museum (Oxford), The Wallace Collection (London), Royal Academy of Arts (London)

William Turner

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Artist ID : 7142

Last Update : August 27, 2026

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