Zenas Winsor McCay (Parents: Robert McCay and Janet Murray; Spouse: Maude Leonore Dufour; Children: Robert and Marion)

Winsor McCay (c. 1869–1934) was a visionary American cartoonist and animator, widely regarded as the father of the animated cartoon and one of the greatest comic strip artists in history.

McCay began his career painting posters for dime museums and circuses, eventually moving into newspaper illustration. In 1904, he created Dreams of the Rarebit Fiend, a strip for adults exploring the bizarre nightmares of various characters. However, his masterpiece debuted in 1905: Little Nemo in Slumberland. This full-page Sunday strip set a new standard for the medium, featuring experimental panel layouts, intricate architectural perspectives, Art Nouveau design elements, and vivid colors that captured the surreal logic of dreams

McCay was also a pioneer in animation. While others had experimented with moving drawings, McCay was the first to give animated characters a distinct personality. His 1914 film, Gertie the Dinosaur, is a landmark in film history; McCay toured the vaudeville circuit with the film, interacting live with the animated dinosaur on screen. He hand-drew thousands of frames himself, introducing key animation techniques such as “cycling” and “in-betweening.”

Later in his career, he worked extensively as an editorial cartoonist for William Randolph Hearst’s newspapers, producing somber and heavily detailed political illustrations. Despite the constraints placed on his artistic freedom by Hearst, McCay’s influence remained immense. Walt Disney famously stated, “Winsor McCay’s Gertie and other animation films were the inspiration for my career.”

Active in others filds : Vaudeville Performer (Lightning Sketches), Editorial/Political Cartooning.