Fernando Botero (1932–2023) was a Colombian figurative artist and sculptor whose signature style—widely known as “Boterismo”—made him one of the most globally recognized Latin American artists of his generation. His aesthetic is defined by the depiction of people, animals, and objects with exaggerated, inflated volumes and robust sensuality, which he used to convey humor, political criticism, or monumental grandeur.

Born in Medellín, Botero was briefly sent to matador school as a youth before deciding to pursue an artistic career. He moved to Bogotá and later to Europe, where he meticulously studied the techniques of the Old Masters in Madrid and Florence. His defining stylistic breakthrough occurred in 1956 when he painted a mandolin with an unusually small sound hole, suddenly realizing the profound spatial effect of expanding the instrument’s volume. This realization led to his lifelong exploration of exaggerated form, famously applied to his reimaginings of classical works, such as Mona Lisa, Age Twelve (1959), which caught the attention of the Museum of Modern Art in New York.

While often celebrated for the whimsical, colorful depictions of everyday Colombian life, the bourgeoisie, and the Catholic clergy, Botero did not shy away from dark subjects. He created powerful series confronting the violence of the Colombian drug cartels and guerrilla wars, as well as a highly publicized, visceral series of paintings depicting the torture of prisoners at the Abu Ghraib prison in Iraq.

In the 1970s, Botero transitioned into creating monumental bronze sculptures. These massive, smooth-surfaced, rotund figures have been exhibited in major public spaces worldwide, including the Champs-Élysées in Paris, Park Avenue in New York, and the dedicated Botero Plaza in his hometown of Medellín. Botero was also a major philanthropist, donating hundreds of his own works and pieces from his private collection of international modern art to the Museo Botero in Bogotá and the Museum of Antioquia. He continued working in his studio until his death from pneumonia in Monaco at the age of 91.

Active in others filds : Sculpture, Philanthropy.