Name : George Grosz

Born : 1893

Died : 1959

Art Style & Movement : Dada - New Objectivity (Neue Sachlichkeit) - Expressionism - Satirical Caricature

Main Field/s :

SUB CATEGORIES
×

Keep Reading About

George Grosz

Georg Ehrenfried Groß | Georg Ehrenfried Groß (Parents: Karl Ehrenfried Groß and Marie Wilhelmine Luise; Spouse: Eva Peters; Children: Peter and Martin)
George Grosz (1893–1959) was a German-American artist renowned for his savage, biting caricatures of life in Berlin during the Weimar Republic. A prominent member of the Berlin Dada and New Objectivity (Neue Sachlichkeit) movements, his work remains some of the most powerful anti-war and anti-fascist art of the 20th century.

Born Georg Ehrenfried Groß, he anglicized his name in 1916 out of a deep disgust for German nationalism during World War I and an infatuation with American culture. Grosz was conscripted into the German army but was eventually discharged for medical and psychological reasons. His horrific experiences in the military fueled a lifelong hatred of authority and blind patriotism.

In the 1920s, his pen-and-ink drawings and paintings mercilessly skewered the social decay of post-war Germany. He depicted a metropolis populated by corrupt businessmen, wounded soldiers, destitute beggars, and wealthy war profiteers. His masterworks, such as Metropolis (1916–1917) and The Pillars of Society (1926), used sharp, jagged lines and a chaotic, almost Cubist spatial composition to reflect a fractured and spiritually bankrupt society. His unapologetic art frequently led to prosecution in Germany for “insulting the army” and “blasphemy.”

Recognizing the rising threat of the Nazi party, Grosz immigrated to the United States in 1933, mere days before Hitler came to power (his studio in Germany was subsequently raided by the Gestapo, and his art was featured in the infamous “Degenerate Art” exhibition). He became a naturalized U.S. citizen in 1938 and taught for many years at the Art Students League of New York. In America, away from the political turmoil of Europe, his style softened significantly. He began painting romantic landscapes, still lifes, and nudes, though he occasionally returned to themes of apocalyptic despair. In 1959, he returned to West Berlin but tragically died just weeks later after falling down a flight of stairs.

Active in others filds : Art Education (Professor at the Art Students League of New York), Book Illustration, Theatrical Set and Costume Design.

Related Link/s

The Realm of Analog Artistry

This curated space is dedicated to the timeless works of global master artists, created through traditional mediums and manual precision. From fine oil paintings to architectural drafting, every piece represents the authentic tactile heritage of visual arts .

George Grosz

Art by : George Grosz

Dada

Dada was not just an art style; it was a “protest” and a “state of mind.” Emerging as a direct response to the horrors of World War I, Dadaists argued that if a “rational” society could produce such irrational slaughter, then reason and logic themselves were invalid. Consequently, Dada sought to destroy traditional aesthetics through anti-art.

For researchers and art centers, Dada is critical because it introduced the concept of the “Readymade”—taking ordinary, manufactured objects and declaring them art simply by placing them in a gallery. It broke the “sacred” bond between the artist’s hand and the final work. Dada is the ancestor of Surrealism, Pop Art, and Conceptual Art. It utilized nonsense, irony, and “chance” as its primary creative tools, often using “cut-up” techniques in both poetry and visual collage.

Related

Clyfford Still
Jasper Johns
Lucian Freud
Marcel Duchamp
chun kyung-ja
Edvard Munch
SUB CATEGORIES
×

Find Other Master Artists

1704

1762

Shopping Cart

Need Help?

Questions ! Comments ? You Tell Us We Listen .

Feel free to contact us

Add Your Heading Text Here

Login

Shopping Cart