The Woman with a Hat
Matisse attacked conventional portraiture with this image of his wife. Amelie’s pose and dress are typical for the day, but Matisse roughly applied brilliant color across her face, hat, dress, and even the background. This shocked his contemporaries when he sent the picture to the 1905 Salon d’Automne. Leo Stein called it, “the nastiest smear of paint I had ever seen,” yet he and Gertrude bought it for the importance they knew it would have to modern painting .

Name : Henri Matisse

Born : 1869

Died : 1954

Art Style & Movement : Impressionism , modernism , Fauvism

Main Field/s :

Region/Nationality : French

Artist ID : 7245

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Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsmanprintmaker, and sculptor, but is known primarily as a painter.[1] Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.[2][3][4][5]

The intense colorism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (wild beasts). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting.[6] After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage.

His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.[7]

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