The Runaway, 1958 “I like to paint kids… people think of their own youth,” Rockwell once said and he had first hand experience as reference for this work. “I ran away from home when I was a kid in Mamaroneck and mooned around the shore; kicking stones and watching the whitecaps on Long Island Sound. Pretty soon it began to get dark and a cold wind sprang up and moaned in the trees. So I went home.”
– Norman Rockwell
(Video: Join in on a conversation with Dick Clemens and Ed Locke, the original models from The Runaway)
The Runaway, Norman Rockwell, 1958. Oil on canvas, 35¾” x 33½”. Cover illustration for The Saturday Evening Post, September 20, 1958. From the permanent collection of Norman Rockwell Museum.
Reference photos for The Runaway, photographer unknown, 1958.
Ref:
http://www.nrm.org/thinglink/text/Runaway.html

Name : Norman Rockwell

Born : 1894

Died : 1978

Art Style & Movement : Realism

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Region/Nationality : United States

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Norman Rockwell

Norman Percevel Rockwell (Parents: Jarvis Waring Rockwell and Anne Mary Hill; Spouses: Irene O’Connor, Mary Barstow, Mary Leete Punderson; Children: Jarvis, Thomas, and Peter)
Norman Percevel Rockwell (1894–1978) was a prolific 20th-century American painter and illustrator. His works have broad popular appeal in the United States for their reflection of American culture, earning him the reputation as the quintessential storyteller of the American dream.

Rockwell showed artistic promise early on, transferring from high school to the Chase Art School, and later studying at the National Academy of Design and the Art Students League of New York. At just 19 years old, he became the art editor for Boys’ Life, the official publication of the Boy Scouts of America, marking the beginning of a lifelong association with the organization.

His most defining career milestone began in 1916 when he painted his first cover for The Saturday Evening Post. Over the next 47 years, Rockwell created 323 original covers for the magazine, capturing the idealized, everyday life of small-town America with humor, warmth, and meticulous technical skill. To achieve his highly detailed realism, Rockwell frequently used staged photography, directing his friends, neighbors, and family members as models before painting the final composition.

During World War II, Rockwell painted the Four Freedoms series (1943)—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—inspired by President Franklin D. Roosevelt’s 1941 address. The paintings were immensely popular, touring the United States in an exhibition that raised over $130 million for war bonds. Another iconic wartime illustration was his depiction of Rosie the Riveter.

In 1963, Rockwell left The Saturday Evening Post and began working for Look magazine. During this later period, he shifted his focus from idyllic nostalgia to pressing social issues. His most famous work from this era, The Problem We All Live With (1964), depicts Ruby Bridges, a six-year-old African American girl, being escorted by US Marshals to a newly desegregated school in New Orleans. It remains a defining image of the American Civil Rights Movement.

Rockwell was awarded the Presidential Medal of Freedom in 1977. While art critics during his lifetime often dismissed him as merely an “illustrator” rather than a serious fine artist, contemporary evaluations have recognized his profound mastery of composition, color, and narrative.

Active in others filds : Author (Autobiography: My Adventures as an Illustrator).

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Norman Rockwell

Art by : Norman Rockwell

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