Joseph Mallord William Turner
The Fighting Temeraire, tugged to her last berth to be broken up, 1838 is an oil painting by the English artist Joseph Mallord William Turner, painted in 1838 and exhibited at the Royal Academy in 1839. The painting depicts the 98-gun HMS Temeraire, one of the last second-rate ships of the line to have played a role in the Battle of Trafalgar, being towed up the Thames by a paddle-wheel steam tug in 1838, towards its final berth in Rotherhithe to be broken up for scrap. The painting hangs in the National Gallery, London, having been bequeathed to the nation by the artist in 1851. In a poll organised by BBC Radio 4’s Today programme in 2005, it was voted the nation’s favourite painting. In 2020 it was included on the new £20 note.

Name : William Turner

Born : 1775

Died : 1851

Art Style & Movement : Romanticism

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William Turner

Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner,[a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colourisations, imaginative landscapes and turbulent, often violent marine paintings. He left behind more than 550 oil paintings, 2,000 watercolours, and 30,000 works on paper.[1] He was championed by the leading English art critic John Ruskin from 1840, and is today regarded as having elevated landscape painting to an eminence rivalling history painting.[2]

Turner was born in Maiden Lane, Covent Garden, London, to a modest lower-middle-class family. He lived in London all his life, retaining his Cockney accent and assiduously avoiding the trappings of success and fame. A child prodigy, Turner studied at the Royal Academy of Arts from 1789, enrolling when he was 14, and exhibited his first work there at 15. During this period, he also served as an architectural draftsman. He earned a steady income from commissions and sales, which due to his troubled, contrary nature, were often begrudgingly accepted. He opened his own gallery in 1804 and became professor of perspective at the academy in 1807, where he lectured until 1828, although he was viewed as profoundly inarticulate.[citation needed] He travelled to Europe from 1802, typically returning with voluminous sketchbooks.

Intensely private, eccentric and reclusive, Turner was a controversial figure throughout his career. He did not marry, but fathered two daughters, Eveline (1801–1874) and Georgiana (1811–1843), by his housekeeper Sarah Danby. He became more pessimistic and morose as he got older, especially after the death of his father, after which his outlook deteriorated, his gallery fell into disrepair and neglect, and his art intensified. In 1841, Turner rowed a boat into the Thames so he could not be counted as present at any property in that year’s census.[3] He lived in squalor and poor health from 1845, and died in London in 1851 aged 76. Turner is buried in Saint Paul’s Cathedral, London.[4]

Artist ID : 7142

Last Update : August 8, 2021

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William Turner

Art by : William Turner

Landscape

Landscape art focuses on the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests. While nature has been a backdrop in art for millennia, “Landscape” as a standalone genre represents a shift in human consciousness—moving from nature as a setting for religious or heroic figures to nature as the primary subject.

Historically, the genre is divided into several distinct approaches:

  • The Classical/Ideal Landscape: Perfected in the 17th century, these are composed, balanced scenes often featuring Roman ruins to evoke a sense of timelessness and harmony.

  • The Topographical Landscape: Accurate, map-like recordings of specific places, common before the invention of photography.

  • The Sublime & Picturesque: A focus on the raw, often terrifying power of nature (The Sublime) versus the charming, irregular beauty of the countryside (The Picturesque).

  • The Impressionist Landscape: A revolutionary shift toward capturing the fleeting effects of light and atmosphere using broken brushstrokes and en plein air (outdoor) techniques.

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