The Lady of Shalott is a painting of 1888 by the English painter John William Waterhouse. It is a representation of the ending of Alfred, Lord Tennyson‘s 1832 poem of the same name.[1] Waterhouse painted three versions of this character, in 1888, 1894 and 1915. It is one of his most famous works, which adopted much of the style of the Pre-Raphaelite Brotherhood, though Waterhouse was painting several decades after the Brotherhood split up during his early childhood. The Lady of Shalott was donated to the public by Sir Henry Tate in 1894 and is usually on display in Tate Britain, London, in room 1840.
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Name : John William Waterhouse

Born : 1849

Died : 1917

Art Style & Movement : Victorian , Pre-Raphaelite

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Region/Nationality : British (Born in Italy)

Artist ID : 7792

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John William Waterhouse (Father: William Waterhouse, a painter; Mother: Isabella Cassel; Spouse: Esther Kenworthy)
John William Waterhouse (1849–1917) was a prominent English painter known for his large-scale paintings of women inspired by both ancient Greek mythology and Arthurian legend. Although he worked several decades after the breakup of the original Pre-Raphaelite Brotherhood, he is often referred to as “the modern Pre-Raphaelite” for his embrace of their stylistic principles and romantic subject matter.

Born in Rome to English parents who were both painters, Waterhouse was nicknamed “Nino” throughout his life. He later moved to London and enrolled in the Royal Academy Schools. His early work was characterized by classical themes similar to those of Lawrence Alma-Tadema, but by the 1880s, he transitioned toward a more atmospheric and “painterly” style, focusing on tragic or powerful female figures.

His most famous work, The Lady of Shalott (1888), remains one of the most beloved paintings in British art. It showcases his mastery of capturing the “femme fatale” and his ability to blend naturalistic landscapes with deep, symbolic narrative. Other iconic works include Hylas and the Nymphs and Ophelia.

Waterhouse’s technique was unique; he combined the rich detail of the Pre-Raphaelites with the looser, more fluid brushwork associated with the French Impressionists. This allowed him to create a sense of magic and “dream-state” realism. He was a highly successful artist during his lifetime, becoming a full member of the Royal Academy in 1895 and continuing to paint until his death from cancer in 1917.

Active in others filds : Art Education (Teacher at the St. John’s Wood Art School).

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John William Waterhouse

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