Nero’s Torches (Polish: Pochodnie Nerona) is an 1876 painting by the Polish artist Henryk Siemiradzki. It is also known as Candlesticks of Christianity (Świeczniki chrześcijaństwa).

It depicts a group of Early Christian martyrs who are about to be burned alive as the alleged perpetrators of the Great Fire of Rome, during the reign of emperor Nero in 64 AD. People from many different social spheres, including the emperor himself, are present to watch the burning, which takes place in front of the Domus Aurea. The motif is based on the descriptions by Suetonius and Tacitus.[1] Of note is that the signs attached to the feet of the condemned list their alleged crimes, and show the Alexamenos Graffito.
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Name : Henryk Siemiradzki

Born : 1843

Died : 1902

Art Style & Movement : Academic Art , Neoclassicism

Main Field/s :

Region/Nationality : Polish

Artist ID : 25590


Reference :

Henryk Hektor Siemiradzki (24 October 1843 – 23 August 1902) was a Russian-born Polish painter based in Rome, best remembered for his monumental academic art. He was particularly known for his depictions of scenes from the ancient Greek-Roman world and the New Testament, owned by many national galleries of Europe.[1][2]

Many of his paintings depict scenes from antiquity, often the sunlit pastoral scenes or compositions presenting the lives of early Christians. He also painted biblical and historical scenes, landscapes, and portraits. His best-known works include monumental curtains for the Lviv (Lwów) Theatre of Opera and for the Juliusz Słowacki Theatre in Kraków.

Nymph, 1869 (Lviv Art Gallery)

After graduating from university with a Kandidat degree he abandoned his scientific career and moved to Saint Petersburg to study painting at the Imperial Academy of Arts from 1864 to 1870. Upon his graduation he was awarded a gold medal. In 1870–1871 he studied under Karl von Piloty in Munich on a grant from the Academy. In 1872 he moved to Rome and later built a studio there on Via Gaeta, while spending summers at his estate in Strzałków near Częstochowa.

In 1873 he received the title of Academician of the Imperial Academy of Arts for his painting Christ and a Sinner, based on a verse Sinner written by Aleksey Tolstoy. In 1878 he received the French National Order of the Legion of Honour and a gold medal at the Paris World’s Fair for the painting Flower Vase. In 1876–1879 Siemiradzki worked on frescoes for the Cathedral of Christ the Saviour (Moscow) among his other large-scale projects. In 1879 he offered one of his best-known works, the enormous Pochodnie Nerona (Nero‘s torches), painted around 1876, to the newly formed Polish National Museum. The artwork is on display at the Siemiradzki Room of the Sukiennice Museum in the Kraków Old Town, the most popular branch of the museum. Around 1893 Siemiradzki worked on two large paintings for the State Historical Museum (Moscow) and in 1894 produced his monumental curtain for the Juliusz Słowacki Theatre in Kraków.[2]

He died in Strzałków in 1902 and was buried originally in Warsaw, but later his remains were moved to the national Pantheon on Skałka in Kraków.


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